Tag: James Marsh

2023 Toronto Intl. Film Festival: 74 (Strictly) World Premiere Predictions!

It's not the opener. It's not the closer. But today the Toronto International Film Festival announced that Taika Waititi's long-gestating Next Goal Wins ...

The Mercy | Review

Come Sail Away: Marsh Gets Morose with Tale of Doomed Sailor Director James Marsh tackles the tragedy of amateur sailor Donald Crowhurst in The Mercy,...

Most Anticipated Foreign Films of 2017: Picks 200 to 101

As we unveil our first tier of two hundred notable foreign film projects to be potentially unveiled in 2017, the coming year promises to...

Top 100 Most Anticipated Foreign Films of 2016: Picks 200-101

It's become a great breaking in the new year traditional here at IONCINEMA.com. We begin our countdown to the our most anticipated foreign films...

The Theory of Everything | Review

Scenes From a Marriage: Marsh’s Distilled Look at Physicist Stephen Hawking Spanning twenty five years in their lives together and based on the memoir Travelling...

Latest From Ozon, Bahrani, Baumbach, Gordon Green, Petzold & Hansen-Løve Heading to TIFF…Telluride & Venice

Much like back to school sales in mid July, in our books, TIFF's first announcement wave reminds us that the end of summer is...

Most Anticipated Films for 2015: An Overview

Last month, we unveiled our all-encompassing, most anticipated films for the current year in film. Now we peer into a future that is a...

Shadow Dancer | Review

Perpetually Intense, Somewhat Monotonous IRA Thrills Hot off the heals of his masterful documentary Project Nim, James Marsh presents a simmering thriller of political revenge...

Popular

Tropical Tapestry: Apichatpong Weerasethakul Won’t Shoot ‘The Fountains of Paradise’ before 2026

In an interview with Les Inrocks folks, Apichatpong Weerasethakul...

Lingering Influence: Meryem Benm’Barek Filming ‘Behind the Palm Trees’

A project initially scheduled for a 2023 shoot has...

Daaaaaali! | Review

Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive...

A Pain That I’m Used To: Metrograph Pictures Tables Dea Kulumbegashvili’s ‘April’

Perhaps the landmark sophomore feature of 2024, Georgian filmmaker...