The titles for the 48th edition of the Telluride Film Festival have been unveiled and Peter Hedges' low-budget zoom drama The Same Storm, Reinaldo Marcus...
Dial V for Voyeur: Wright Waxes Hitchcockian in Enjoyable Neo Noir
“Imitation is the sincerest form of flattery,” said Oscar Wilde, “that mediocrity can pay...
Particle Decay: Satrapi Explores Curie in Elliptical, Stunted Biopic
The persona of Marie Curie is a no-brainer as far as cinematic importance and appeal goes,...
On Body and Soul: Mirabella-Davis Gets Squeamish with Formidable Debut
As much as it speaks to contemporary understandings of female agency, Carlo Mirabella-Davis’ astute directorial...
Tough to Swallow, in a Good Way: Davis Offers Big Gulp Feminist Thriller
Carlo Mirabella Davis’ debut feature Swallow is a haunting study in gender politics in...
And between the remakes, prequels, sequels, reboots and rehashes pouring out of the Hollywood studio system, we sift through the detritus of continual superhero...
After a false start of sorts, Carlo Mirabella-Davis will finally be premiering the France-US co-production and his directorial debut Swallow in 2019. His past...
Stoner
After more weighty studio projects in Pan (2015) and The Darkest Hour (2017), Joe Wright moves more into prestige medium sized independent pic with...
While questions still surround when (and where) Abdellatif Kechiche's Mektoub, My Love: Canto Uno and Lynne Ramsay's You Were Never Really Here will have...
There was no mention of Denis Villeneuve's Blade Runner 2049, but not straying far from the modus operandi of previous editions, TIFF's announcement of...
All Good Movies Are the Same: Joe Wright’s Lavish Tolstoy Adaptation a Decadent Affair
Groaning beneath the weight of its classic source material, not to...