Tag: Kim Minhee

By the Stream | 2024 Locarno Film Festival Review

Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...

Introduction | 2021 Berlin International Film Festival Review

Prelude Mood: Sangsoo Explores Familiar Themes with Droll Snippets What might one make of Hong Sang-soo if Introduction was their first experience with the perennial...

The Woman Who Ran | 2020 Berlin Intl. Film Festival Review

Rendezvous in Seoul: Sang-soo Gets Spare in Conversational Triptych Ending a rare year-long absence from the cinema (an observation of note since he presents two...

Sang-soo Goes for Slight(ly) Sober in B&W Mix-up ‘The Day After’ | Blu-ray Review

Prolific South Korean auteur Hong Sang-soo’s twenty-first feature, The Day After, was also his second time competing for the Palme d’Or when it premiered...

The Day After | 2017 Cannes Film Festival Review

Three Women: Sang-soo Goes for Slight(ly) Sober in Black and White Mix-up South Korea’s Hong Sangsoo surpasses his own prolific, breakneck speed with a whopping...

Right Now, Wrong Then | Blu-ray Review

Recently formed distribution label Grasshopper Film has already managed to build a formidable reputation by saving a number of auteur driven art-house titles from...

Right Now, Wrong Then | Review

Two in One: Sang-soo’s Latest Delight Examines Outcomes and Possibilities Prolific South Korean auteur Hong Sang-soo, who debuts annual films at various festivals every year,...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...