Tag: Kim Minhee

By the Stream | 2024 Locarno Film Festival Review

Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...

Introduction | 2021 Berlin International Film Festival Review

Prelude Mood: Sangsoo Explores Familiar Themes with Droll Snippets What might one make of Hong Sang-soo if Introduction was their first experience with the perennial...

The Woman Who Ran | 2020 Berlin Intl. Film Festival Review

Rendezvous in Seoul: Sang-soo Gets Spare in Conversational Triptych Ending a rare year-long absence from the cinema (an observation of note since he presents two...

Sang-soo Goes for Slight(ly) Sober in B&W Mix-up ‘The Day After’ | Blu-ray Review

Prolific South Korean auteur Hong Sang-soo’s twenty-first feature, The Day After, was also his second time competing for the Palme d’Or when it premiered...

The Day After | 2017 Cannes Film Festival Review

Three Women: Sang-soo Goes for Slight(ly) Sober in Black and White Mix-up South Korea’s Hong Sangsoo surpasses his own prolific, breakneck speed with a whopping...

Right Now, Wrong Then | Blu-ray Review

Recently formed distribution label Grasshopper Film has already managed to build a formidable reputation by saving a number of auteur driven art-house titles from...

Right Now, Wrong Then | Review

Two in One: Sang-soo’s Latest Delight Examines Outcomes and Possibilities Prolific South Korean auteur Hong Sang-soo, who debuts annual films at various festivals every year,...

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IndieSponge Episode: 2025 Cannes Film Festival Palme d’Or Predictions

Before our official June relaunch, Kevin Jagernauth and I...

Leave One Day (Partir un Jour) | 2025 Cannes Film Festival Review

Chef’s Kiss: Bonnin Uses Familiar Recipe in Pleasant Debut For...

Live From Cannes!!! Meet the Jury For Our 2025 Cannes Critics’ Panel

IONCINEMA.com has been gauging the pulse of the Palme...

Love (Kjærlighet) | Review

Ain’t Nothin’ But Sex Misspelled: Haugerud Continues Quiet, Earnest...