Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes
Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...
Prelude Mood: Sangsoo Explores Familiar Themes with Droll Snippets
What might one make of Hong Sang-soo if Introduction was their first experience with the perennial...
Rendezvous in Seoul: Sang-soo Gets Spare in Conversational Triptych
Ending a rare year-long absence from the cinema (an observation of note since he presents two...
Prolific South Korean auteur Hong Sang-soo’s twenty-first feature, The Day After, was also his second time competing for the Palme d’Or when it premiered...
Three Women: Sang-soo Goes for Slight(ly) Sober in Black and White Mix-up
South Korea’s Hong Sangsoo surpasses his own prolific, breakneck speed with a whopping...
Recently formed distribution label Grasshopper Film has already managed to build a formidable reputation by saving a number of auteur driven art-house titles from...
Two in One: Sang-soo’s Latest Delight Examines Outcomes and Possibilities
Prolific South Korean auteur Hong Sang-soo, who debuts annual films at various festivals every year,...