Tag: Malik Vitthal

Body Cam | Review

Ghost Protocol: Vitthal Gets Supernatural with Hot Topic Horror Genre has always been a formidable platform to explore significant social ills in creative ways, often...

2020 Sundance Film Festival Predictions: Lawrence Michael Levine, Malik Vitthal & Michael Dowse

Black Bear Gabi on the Roof in July (2010) and 2014's Wild Canaries (review) filmmaker Lawrence Michael Levine landed the likes of Sarah Gadon, Aubrey...

The Conversation: Time for TIFF 2019 – Predictions!

The Toronto International Film Festival is set to unspool its latest monolithic program. A major cue to set Oscar season into motion, the line-up...

Top 50 Most Anticipated American Independent Films of 2019: #47. Malik Vitthal’s Body Cam

Body Cam 2018 saw Malik Vitthal win the the Cannes Lions Grand Prix for a Protector & Gamble campaign and saddle into his sophomore feature -- a Paramount...

2014 Sundance NEXT FEST: Interview with Programmer Charlie Reff on a Potentially “Dynamite” 2nd Edition

Over the span of five short years, John Cooper and Trevor Groth's branded <=> section has not only become a destination for "bold, distinguished by an...

Best of Fest: Sundance 2014’s Top 20 New Voices (10-1)

Continued from yesterday's countdown.... 20. Tessa Louise-Salome (Mr. Leos Carax) 19. Janicza Bravo (Gregory Goes Boom) 18. Michael Rossato-Bennett (Alive Inside) 17. Andrew Droz Palermo & Tracy Droz...

Sundance 2014: Alex Ross Perry, Michael Tully, Tim Sutton, Sydney Freeland & Mark Jackson Among Stellar Class of 11 NEXT Features

Rolling out it's fifth edition and growing beyond just Park City (Los Angeles hosted a summer event this year) the NEXT section has grown...

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Tropical Tapestry: Apichatpong Weerasethakul Won’t Shoot ‘The Fountains of Paradise’ before 2026

In an interview with Les Inrocks folks, Apichatpong Weerasethakul...

Lingering Influence: Meryem Benm’Barek Filming ‘Behind the Palm Trees’

A project initially scheduled for a 2023 shoot has...

Daaaaaali! | Review

Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive...

A Pain That I’m Used To: Metrograph Pictures Tables Dea Kulumbegashvili’s ‘April’

Perhaps the landmark sophomore feature of 2024, Georgian filmmaker...