Tag: Maria Ekerhovd

More Than Ever (Plus que jamais) | Review

When the Body Speaks: Krieps & Ulliel Fight for the Right Balance in Atef’s Final Voyage Drama A too young to die portrait that sees...

Top 100 Most Anticipated Foreign Films of 2022: #48. Emily Atef’s Plus que jamais

Plus que jamais (More Than Ever) Having worked on several television projects since competing for the Golden Bear at the Berlin International Film Festival with...

Flee | Review

Flee a Mile in your Neighbor’s Shoes: Ramussen’s Refugee Doc Is A Journey Worth Taking Evocative animation, first-person pain and a strong dose of hope...

Top 100 Most Anticipated Foreign Films of 2021: #44. Eskil Vogt’s The Innocents

The Innocents Produced by Maria Ekerhovd Directed by Eskil Vogt Written by Eskil Vogt Starring: Rakel Fløttum, Alva Ramstad, Ismail Ashraf, Mina Asheim, Ellen Dorrit Petersen. Cinematographer: Sturla Brandth...

Divine Love | Review

Mighty Aphrodite: Mascaro’s Second Coming Cloaked in Complex Allegory The Immaculate Conception remains one of the notorious suspensions of disbelief in Christian folklore, and Brazilian...

Top 150 Most Anticipated Foreign Films of 2019: #46. Divine Love – Gabriel Mascaro

Divine Love Brazilian director Gabriel Mascaro’s third feature, Divine Love (previously known as Overgod) has been highly anticipated ever since his 2015 breakout Neon Bull (read...

Top 100 Most Anticipated Foreign Films of 2018: #46. Gabriel Mascaro’s Overgod

Overgod Brazil’s Gabriel Mascaro broke into international success with his provocative sophomore film Neon Bull (read review) in 2015, where it won a Special Jury Prize...

Top 100 Most Anticipated Foreign Films of 2015: #76. Wim Wenders’ Every Thing Will Be Fine

Every Thing Will Be Fine Director: Wim Wenders // Writers: Bjorn Olaf Johannssen New German Wave auteur Wim Wenders has lately been focusing on documentaries, both...

Out of Nature | 2014 TIFF Review

A Hollow World of Obligations Ole Giæver’s sophomore feature, Out of Nature, very much resembles—in setting, structure and thematic preoccupation—his short film work and prior,...

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The Apprentice | Review

The Devil and Donald Trump: Abbasi Reconstructs the Rise...