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Movie Reviews
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The Apprentice | Review
October 9, 2024
Daaaaaali! | Review
October 3, 2024
Joker: Folie à Deux | Review
October 1, 2024
The Universal Theory (Die Theorie Von Allem) | Review
September 24, 2024
Megalopolis | Review
September 23, 2024
American Independent Films
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IONCINEPHILE of the Month
Interview: Bernardo Britto – Omni Loop
September 20, 2024
Interview: Damien Chazelle – Whiplash
September 19, 2024
Interview: Lisandro Alonso – Eureka
September 16, 2024
Interview: Asmae El Moudir – The Mother of All Lies
September 6, 2024
Interview: Mika Gustafson – Paradise is Burning
August 19, 2024
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World Cinema Report: The Philippines – Lino Brocka Feted in Rotterdam & Berlinale + Sheron Dayoc Future Projects
March 12, 2023
World Cinema Report: Hong Kong – “To My Nineteen-Year-Old-Self” Opts out of the HKIFF Awards
March 1, 2023
World Cinema Report: Hong Kong – Most Anticipated for 2023
February 1, 2023
World Cinema Report: The Philippines – Most Anticipated for 2023
February 1, 2023
Desperately Seeking Studio: Agustina San Martín’s To Kill the Beast
August 30, 2022
IONCINEPHILE
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FYC (Awards!)
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2024 European Film Awards: Kulumbegashvili, Delpero, Tsangari, Zürcher, Almodóvar & Mike Leigh in Second Wave
September 26, 2024
2025 Oscars Best International Film Race: Frontrunners Jacques Audiard, Walter Salles & Maura Delpero Added to Mix
September 25, 2024
FYC: Top 10 Cannes Storylines That Will Shape The Awards Race
August 26, 2024
2024 European Film Awards: Audiard, Guiraudie, Fargeat, Gomes & Rasoulof Among First Selections
August 14, 2024
2024 Oscars: Totem, The Mother of All Lies, Godland, The Zone of Interest & The Taste of Things Part of International Feature Shortlist
December 21, 2023
American Indie
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Movie Reviews
VOD
The Apprentice | Review
October 9, 2024
Daaaaaali! | Review
October 3, 2024
Joker: Folie à Deux | Review
October 1, 2024
The Universal Theory (Die Theorie Von Allem) | Review
September 24, 2024
Megalopolis | Review
September 23, 2024
American Independent Films
World Cinema
Documentary Films
Interviews
IONCINEPHILE of the Month
Interview: Bernardo Britto – Omni Loop
September 20, 2024
Interview: Damien Chazelle – Whiplash
September 19, 2024
Interview: Lisandro Alonso – Eureka
September 16, 2024
Interview: Asmae El Moudir – The Mother of All Lies
September 6, 2024
Interview: Mika Gustafson – Paradise is Burning
August 19, 2024
American Independent
World Cinema
Documentary Film
Features
Tracking Shot
Top 3 Critics' Picks
Top 50 Future TV Binge List
Film Book Reviews
World Cinema Report
World Cinema Report: The Philippines – Lino Brocka Feted in Rotterdam & Berlinale + Sheron Dayoc Future Projects
March 12, 2023
World Cinema Report: Hong Kong – “To My Nineteen-Year-Old-Self” Opts out of the HKIFF Awards
March 1, 2023
World Cinema Report: Hong Kong – Most Anticipated for 2023
February 1, 2023
World Cinema Report: The Philippines – Most Anticipated for 2023
February 1, 2023
Desperately Seeking Studio: Agustina San Martín’s To Kill the Beast
August 30, 2022
IONCINEPHILE
IndieSponge TV
FYC (Awards!)
You Betcha!
2024 European Film Awards: Kulumbegashvili, Delpero, Tsangari, Zürcher, Almodóvar & Mike Leigh in Second Wave
September 26, 2024
2025 Oscars Best International Film Race: Frontrunners Jacques Audiard, Walter Salles & Maura Delpero Added to Mix
September 25, 2024
FYC: Top 10 Cannes Storylines That Will Shape The Awards Race
August 26, 2024
2024 European Film Awards: Audiard, Guiraudie, Fargeat, Gomes & Rasoulof Among First Selections
August 14, 2024
2024 Oscars: Totem, The Mother of All Lies, Godland, The Zone of Interest & The Taste of Things Part of International Feature Shortlist
December 21, 2023
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Marrakech Intl. Film Festival
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Interview: Benjamín Naishtat – Rojo
Interviews
Eric Lavallée
-
November 6, 2019
Selected for the Platform section competition at TIFF and San Sebastian (winner of the Silver Shell for Best Director, the Silver Shell for Best...
Interview: Ognjen Glavonic – The Load
Interviews
Eric Lavallée
-
August 25, 2019
World preeming at the Directors' Fortnight in Cannes, Ognjen Glavonic certainly had the odds stacked against him to create his fiction debut and a...
Interview: Lila Avilés – The Chambermaid (La Camarista) | 2018 Marrakech Intl. Film Festival
Interviews
Eric Lavallée
-
June 26, 2019
Going beyond dirty towels and fully stocked mini bars, Lila Avilés' The Chambermaid shines a white sheets bright light on an a workforce that...
Interview: Gabriela Cartol – The Chambermaid (La Camarista) | 2018 Marrakech Intl. Film Festival
Interviews
Eric Lavallée
-
June 26, 2019
In the film festival year of 2018, there were a pair of films hailing from Mexico that broached a text that relates to elitism,...
Interview: Claire Burger – Real Love (C’est ça l’amour) | 2018 Marrakech Intl. Film Festival
Interviews
Eric Lavallée
-
March 19, 2019
She broke out big as part of a trio of filmmakers with the Camera d'Or winning Party Girl (a film that opened the Un...
Interview: Michel Franco – Las hijas de Abril | 2018 Marrakech Intl. Film Festival
Interviews
Eric Lavallée
-
March 18, 2019
Having been ardent fan of this filmmaker since being introduced to his minimalist essay on how an assault on the affluent can infuse toxicity...
Interview: Lynne Ramsay – You Were Never Really Here | 2018 Marrakech Intl. Film Festival
Interviews
Eric Lavallée
-
March 18, 2019
Ranked at the top of my best films of 2018 list (still unpublished), with her fourth feature, Lynne Ramsay attained "film godz" status with...
Interview: Daniel Brühl | 2018 Marrakech Intl. Film Festival
Interviews
Eric Lavallée
-
March 18, 2019
An actor and swiss army knife multi-linguistic for almost three decades now with seminal films in Good Bye Lenin! (2003) and The Edukators (2004)...
Interview: Artistic Director Christoph Terhechte | 2018 Marrakech Intl. Film Festival
Interviews
Eric Lavallée
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December 14, 2018
It's so incredibly difficult to press on the pause button for any major event, especially one that is dipped in gold type prestige. The...
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