Having been ardent fan of this filmmaker since being introduced to his minimalist essay on how an assault on the affluent can infuse toxicity in sibling dynamics in the Directors’ Fortnight selected gem Daniel and Ana back in 2009, the name of Michel Franco has been synonymous with Cannes, the Un Certain Regard section, Tim Roth (something he has in common with Marrakech jury member James Gray) and the kind of Mexican cinema that can take a sledgehammer in apathy but at time is volcanic in its pathos. We find ourselves about a decade into a rather prolific and uncompromising filmmaking career (and a fulfilling one as a producer), so it was a treat to look back at his filmography (April’s Daughter, Chronic, A los ojos and After Lucia) and look forward, with a new project being pieced together for what will be a 1st quarter shoot. Here is a quick sit-down in Marrakech.
Interview: Michel Franco – Las hijas de Abril | 2018 Marrakech Intl. Film Festival
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