Tag: Massimo Cantini Parrini

Maria | Review

Songs from the Specious Floor: Larrain Imagines the Last Days of a Diva A penny for the thoughts of Maria Callas regarding Pablo Larraín’s glossy...

Ferrari | Review

I Got a Fast Car: Mann Gets Glossy with Longstanding Labor of Love For his first theatrical release in eight years and his second biopic...

Chiara | 2022 Venice Film Festival Review

Sister and Her Sisters: Nicchiarelli Salutes a Saint in Solemn, Dull Period Reenactment The friendship between Saint Francis of Assisi and his obscured female counterpart...

L’immensità | 2022 Venice Film Festival Review

This Boy’s Life: Crialese Cuts Corners in Well-Meant Trans Coming-of-Age Drama Director Emanuele Crialese explores the slow disintegration of a dysfunctional family in 1970s Rome...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...