They Kill Horse Riders, Don’t They?: Ortega Puzzles with Deadpan Metaphors
Nothing is what it appears to be in Argentinean Luis Ortega’s latest film Kill...
Trojan Women: Lopez Crafts Collage of Complicity in Stellar Debut
For her directorial debut Robe of Gems (Manto de gemas), Natalia López Gallardo resists expectations...
Largely known as a film editor for having worked with partner Carlos Reygadas on 2007 masterwork Silent Light and with further collaborations with the...
The Sound of My Voice: Meta Delivers Masterful Psychological Identity Horror
Does it come from without or within? ‘It’ being the perception of danger, delusion...
Mortal Transfer: Martel Returns with Lush, Dark Comedy on Colonial Maneuvering
Unfairly disposed to doomed distribution prospects and perhaps unfortunate dismissal during its initial reception...
Zama
Director: Lucrecia Martel
Writer: Lucrecia Martel
We’ve been waiting quite a while for Zama, and had high hopes this would appear at either Cannes or Venice...
Zama
Director: Lucrecia Martel
Writer: Lucrecia Martel
Argentinean director Lucrecia Martel has become one of her country’s most prolific filmmakers with three outstanding titles to her name,...