Tag: Matias Roveda

Kill the Jockey | 2024 Venice Film Festival Review

They Kill Horse Riders, Don’t They?: Ortega Puzzles with Deadpan Metaphors Nothing is what it appears to be in Argentinean Luis Ortega’s latest film Kill...

Robe of Gems | Review

Trojan Women: Lopez Crafts Collage of Complicity in Stellar Debut For her directorial debut Robe of Gems (Manto de gemas), Natalia López Gallardo resists expectations...

Interview: Natalia López Gallardo – Robe of Gems (Manto de Gemas)

Largely known as a film editor for having worked with partner Carlos Reygadas on 2007 masterwork Silent Light and with further collaborations with the...

The Intruder | 2020 Berlin Intl. Film Festival Review

The Sound of My Voice: Meta Delivers Masterful Psychological Identity Horror Does it come from without or within? ‘It’ being the perception of danger, delusion...

Zama | Review

Mortal Transfer: Martel Returns with Lush, Dark Comedy on Colonial Maneuvering Unfairly disposed to doomed distribution prospects and perhaps unfortunate dismissal during its initial reception...

Top 100 Most Anticipated Foreign Films of 2017: #5. Lucrecia Martel’s Zama

Zama Director: Lucrecia Martel Writer: Lucrecia Martel We’ve been waiting quite a while for Zama, and had high hopes this would appear at either Cannes or Venice...

Top 100 Most Anticipated Foreign Films of 2016: #10. Lucrecia Martel’s Zama

Zama Director: Lucrecia Martel Writer: Lucrecia Martel Argentinean director Lucrecia Martel has become one of her country’s most prolific filmmakers with three outstanding titles to her name,...

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Interview: Philippe Lesage – Comme le feu (Who By Fire)

The adults in the room may be battling for...

Bertrand Mandico’s ‘Roma elastica’ & Lukas Dhont’s ‘Coward’ Moving Forward; Cannes 2026?

The cineuropa folks always publish the latest advance on...

Who by Fire (Comme le feu) | Review

Into the Woods: Lesage Explores Wounded Masculinities In Vincent Sherman’s...