Tag: Max Rifkind-Barron

Wild Nights With Emily | Review

The Exorcism of Emily D: Olnek Goes ‘Rowing in Eden’ with Affectionate Glance at Emily Dickinson Her carriage apparently held more than just the morbid...

2018 Sundance Film Festival Predictions: Madeleine Olnek’s Wild Nights with Emily

Now in year three of celebrating our awful predictions with concerns to this title, we finally have a status update and official title to...

2017 Sundance Film Festival Predictions: Untitled Madeleine Olnek Emily Dickinson Project

We were a little too early with this prognostication, and we don't yet have an official title, but we're now thinking it's time for...

2016 Sundance Film Festival Predictions: Madeleine Olnek’s Emily Dickinson Project

What the trades tell us and what is fact are not mutually exclusive. 11th hour film submissions at the Sundance Film Festival do occur --- the...

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The Black Ball (La bola negra) | 2026 Cannes Film Festival Review

The Play’s the Thing: Ambrossi & Calvo Connect the...

2026 Cannes Critics’ Panel: Day 9 – Lukas Dhont’s ‘Coward’

From Belgium, Lukas Dhont makes his third trip to...

2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...