Tag: Nadim Cheikhrouha

Interview: Kaouther Ben Hania – The Voice of Hind Rajab

When I was actively watching Kaouther Ben Hania’s devastating The Voice of Hind Rajab (read review), it reminded me Alejandro González Iñárritu's short film...

The Voice of Hind Rajab | Review

In a Child’s Name: Ben Hania’s Grueling Portrait of Genocide It’s the responsibility of artists to use their platforms as a mechanism to speak truth...

Saint, Camera, Action!: Kaouther Ben Hania Frames a Divine Rebellion in ‘Mimesis’

Fresh off winning the Grand Jury Prize in Venice for The Voice of Hind Rajab (read review), Kaouther Ben Hania has shifted directly to...

Who Do I Belong To | 2024 Berlin Intl. Film Festival Review

Return of the Soldier: Joobeur Explores Ghosts of War Matriarchs confronted by their radicalized children have slowly and painstaking formed a cinematic subgenre of...

2024 Sundance Film Festival Predictions: Meryam Joobeur’s Motherhood

After thinking Motherhood might drop at a major film festival in 2023, we are now inclined to think that Meryam Joobeur might actually go...

A Bond That Breaks: Meryam Joobeur’s “Motherhood” Readying For Festival Launch in ’23

Pretty much a done deal for a major film festival launch in 2023 and sitting high up on our most anticipated list of directorial...

Beauty and the Dogs | Review

Body Talk: Ben Hania’s Troubled and Troubling Portrait of Sexual Assaul Perfectly encapsulating, perhaps to the heights of exaggeration and exploitation, why victims of sexual...

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Forever Your Maternal Animal | 2026 Cannes Film Festival Review

Only Mothers Left Alive: Maurel Funnels Dysfunctional Family Matters You...

Flesh and Fuel (Du Fioul dans les artères) | 2026 Cannes Film Festival Review

Paradise by the Dashboard Lights: Le Gall Finds Love...

Shana | 2026 Cannes Film Festival Review

Happy-Go-Mucky: Pinell Finds Purpose with a Woman in Transition “No...

2026 Cannes Critics’ Panel: Day 3 – Marie Kreutzer’s ‘Gentle Monster’

From Austria, Marie Kreutzer breaks into the Palme d'Or...