Tag: Nicolas Becker

Interview: Mihai Mincan – Milk Teeth (Dinți de lapte)

Fusing a country's psychological rift and political shift alongside a truly complex character study that explores innocence loss, absence and community disillusionment, in Milk...

Milk Teeth | 2025 Venice Film Festival Review

No Child Left Behind: Mincan Explores a Nation That Stood in Silence Perhaps more terrifying than the high-seas stowaway trip from hell (2022’s To the North),...

Harvest | Review

Sheep, Sheep, Sheep: Tsangari’s Monotonous Treatise on Modernization Adapted from a novel by Jim Croce, Harvest is Greek auteur Athina Rachel Tsangari's third feature narrative,...

Dahomey | Review

Plunder Years: Diop Reflects on the Complex Realities of Reparation The spirit of Ozymandias, the classic poem from Percy Bysshe Shelley, might rouse itself in...

Bardo, False Chronicle of a Handful of Truths | Review

The Unexpected Virtue of Indulgence: Iñárritu Repeats Himself with Repetitive, Soulless Extravaganza “The pure and simple truth is rarely pure and never simple,” said Oscar...

A Prayer Before Dawn | Review

Break the Dawn: Sauvaire Browbeats with Violent, Grim Prison Drama Although a simple plot synopsis tends to glorify the perilous pugilism which provides the bizarre...

Maria Monge’s Treat Me Like Fire (Joueurs) | 2018 Cannes Film Festival

Where Maria Monge's Treat Me Like Fire excels is in abiding by a frenetic fuelled street film that is more steeped in fantasy, than...

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Central Park Deprive: Janicza Bravo to Direct True Crime Media Frenzied ‘Preppy’

Known for her discomfort and absurdity brand of comedy,...

Jouhatsu Junction: Humanist Vampire… Helmer Ariane Louis-Seize Picking ‘Cherry Blossoms’

Telefilm Canada have put some sizeable coin towards a...

2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race

Canada submits Berlinale winner Nina Roza by Geneviève Dulude-de...