Tag: Nicolas Becker

Interview: Mihai Mincan – Milk Teeth (Dinți de lapte)

Fusing a country's psychological rift and political shift alongside a truly complex character study that explores innocence loss, absence and community disillusionment, in Milk...

Milk Teeth | 2025 Venice Film Festival Review

No Child Left Behind: Mincan Explores a Nation That Stood in Silence Perhaps more terrifying than the high-seas stowaway trip from hell (2022’s To the North),...

Harvest | Review

Sheep, Sheep, Sheep: Tsangari’s Monotonous Treatise on Modernization Adapted from a novel by Jim Croce, Harvest is Greek auteur Athina Rachel Tsangari's third feature narrative,...

Dahomey | Review

Plunder Years: Diop Reflects on the Complex Realities of Reparation The spirit of Ozymandias, the classic poem from Percy Bysshe Shelley, might rouse itself in...

Bardo, False Chronicle of a Handful of Truths | Review

The Unexpected Virtue of Indulgence: Iñárritu Repeats Himself with Repetitive, Soulless Extravaganza “The pure and simple truth is rarely pure and never simple,” said Oscar...

A Prayer Before Dawn | Review

Break the Dawn: Sauvaire Browbeats with Violent, Grim Prison Drama Although a simple plot synopsis tends to glorify the perilous pugilism which provides the bizarre...

Maria Monge’s Treat Me Like Fire (Joueurs) | 2018 Cannes Film Festival

Where Maria Monge's Treat Me Like Fire excels is in abiding by a frenetic fuelled street film that is more steeped in fantasy, than...

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2026 Cannes: Werner Herzog’s Bucking Fastard Selected for Cannes Premiere (!?)

There was no mention this morning for a film...

2026 Cannes: Mysius, Kreutzer, Harari, Grisebach, Herry, Bourgeois-Taquet Among New Faces in the Palme d’Or Comp

A competition section of (currently) twenty-one features with, according...

2026 Cannes: Nicolas Winding Refn, Quentin Dupieux & Bertrand Mandico on the Croisette

The Out of Competition, Midnight Screenings, Cannes Premiere and...