Tag: Olivier Alary

Night of the Kings | Review

The Grift of Gab: Lacote Walks the Line of Escapism vs. Survival in Magical Sophomore Film “You look like someone who should be condemned,” remarks...

Video Interview: Maxime Giroux – The Great Darkened Days

From working with a text about a path that is crossed with improbable odds in Felix et Meira, to the alienating, but nonetheless road...

Interview: Olivia Newman – First Match | 2015 January Screenwriters Lab

Selected for SXSW Film Festival's Narrative Feature Competition, Olivia Newman's First Match (read review) picked up an audience award before quickly bowing over at Netflix....

First Match | Review

Newman Delivers a Nuanced Portrayal of a Troubled Wrestling Prodigy The physicality of wrestling lends itself to cinema, each movement part of a ballet. Matches...

Félix et Meira | Review

What’s Under the Hat?: Giroux Proposes Unorthodox Paradox Confectioned with a what makes us different makes us the same counterargument, Maxime Giroux’s third feature is...

Corbo | 2014 TIFF Review

Vive la FLQ: Revolutionary Tactics as Performance of Identity With Corbo, Mathieu Denis’ second feature-length film, the Quebecois director has established an auteur focus on...

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2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...