Tag: Pierre Salvadori

La Vénus électrique (The Electric Kiss) | 2026 Cannes Film Festival Review

The Liar of Your Desire: Salvadori Sputters with Low Voltage Rom Com To some, love might indeed mean never having to say you’re sorry, but...

2026 Cannes: Pierre Salvadori to Paint the Croisette with Fest Opener ‘La Vénus électrique’

French filmmaker Pierre Salvadori will open the 79th edition of Cannes with his 11th feature film -- a period piece set in 1928's Paris...

What’s in Store for 2026?: Élie Wajeman’s ‘Le joueur’ & Valérie Donzelli’s ‘À pied d’œuvre’

The Cineuropa folks have unveiled the latest round of CNC’s advance on receipts projects (eleven in total) and at the top of the list...

2018 Pingyao Crouching Tiger Hidden Dragon Intl. Film Fest: Lav Diaz & Lee Chang-Dong Among Highlights

Selections have been announced for the second edition of the Pingyao Crouching Tiger Hidden Dragon Int. Film Festival. The brainchild of former Venice Film...

2018 Cannes: Ciro Guerra, Gaspar Noé, Romain Gavras, Jaime Rosales & Debra Granik Fill Directors’ Fortnight

Heavy on Spanish language films (including a Brazilian film not in its mother tongue) and the usual block of French film items, after seven years...

Planetarium | Review

Night of the Shooting Stars: Zlotowski’s Mysterious Glance at a World on a Wire As one character observes to another upon a chance reunion in...

The Conversation: The 2017 Venice & TIFF Vortex

As the fall festival circuit looms, anticipation is high for a number of items expected to premiere in the fourth quarter. Following a glut...

Most Anticipated Foreign Films of 2017: Picks 200 to 101

As we unveil our first tier of two hundred notable foreign film projects to be potentially unveiled in 2017, the coming year promises to...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...