RT Features' Rodrigo Teixeira is backing another book-to-film project this time with Rojo filmmaker Benjamín Naishtat. Variety reports that the Argentinean filmmaker will adapt...
They Kill Horse Riders, Don’t They?: Ortega Puzzles with Deadpan Metaphors
Nothing is what it appears to be in Argentinean Luis Ortega’s latest film Kill...
Trojan Women: Lopez Crafts Collage of Complicity in Stellar Debut
For her directorial debut Robe of Gems (Manto de gemas), Natalia López Gallardo resists expectations...
Largely known as a film editor for having worked with partner Carlos Reygadas on 2007 masterwork Silent Light and with further collaborations with the...
The Sound of My Voice: Meta Delivers Masterful Psychological Identity Horror
Does it come from without or within? ‘It’ being the perception of danger, delusion...
Mortal Transfer: Martel Returns with Lush, Dark Comedy on Colonial Maneuvering
Unfairly disposed to doomed distribution prospects and perhaps unfortunate dismissal during its initial reception...
Zama
Director: Lucrecia Martel
Writer: Lucrecia Martel
We’ve been waiting quite a while for Zama, and had high hopes this would appear at either Cannes or Venice...
Zama
Director: Lucrecia Martel
Writer: Lucrecia Martel
Argentinean director Lucrecia Martel has become one of her country’s most prolific filmmakers with three outstanding titles to her name,...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.