With Cannes just a month away, major updates on Brady Corbet’s highly anticipated fourth feature are likely imminent, but we’ve already received two early...
It'll be a Cannes Film Festival competition rematch alongside the critical darling (Best Director) winning competition film from the Venice Film Festival. Emilia Pérez...
Risky Business: Audiard Surprises with Vibrant Genre Musical
Although it’s assembled from unlikely, even questionable sources, Jacques Audiard’s latest feature, Emilia Pérez, a genre...
Fear the Mocking Dead: Jarmusch’s Zombie Sketch is DOA
“The world is perfect. Appreciate the details,” says deliveryman RZA (in one of the film’s many...
Shifting sideways from the extensionalism lethargy found vampires in goth tweaked Only Lovers Left Alive to possibly reanimated corpses that haven't said their last word...
Careworn Crucibles: Burnett’s Clichés Prove Reading is Fundamental
Writer and producer Rob Burnett, who has a healthy television resume with contributions such as “Ed” and...
The Sundance Film Festival made their final feature film line-ups with the Premieres category announcements. Sixteen films with huge name talent, returnee filmmakers and...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.