Tag: Silvio Orlando

Parthenope | Review

The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...

Nanni Moretti’s Il sol dell’avvenire – 2023 Cannes Critics’ Panel: Day 8

Palme d’Or winner (The Son’s Room in 2001) Nanni Moretti makes another trip to the competition with an ode to cinema (and Martin Scorsese's...

Il sol dell’avvenire (A Brighter Tomorrow) | 2023 Cannes Film Festival Review

If You Don’t Die Today: Moretti Can’t Find the Rhythm in Musical Delusion To say the latest film from Nanni Moretti, Il sol dell'avvenire (A Brighter...

Top 200 Most Anticipated Foreign Films of 2023: #163. Nanni Moretti’s Il Sol Dell’Avvenire

Il Sol Dell’Avvenire Nanni Moretti makes a quicker-than-usual return behind the camera - waiting very little time in-between projects. Following 2021's Three Floors, the veteran...

Ariaferma (The Inner Cage) | 2021 Venice Film Festival Review

Guards and Monsters: Costanzo Finds Humanity in Balanced Ratios Utilizing the novel opportunity of how power wanes in the crumbling of an institution’s viability, Italian...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...