Tag: Silvio Orlando

Parthenope | Review

The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...

Nanni Moretti’s Il sol dell’avvenire – 2023 Cannes Critics’ Panel: Day 8

Palme d’Or winner (The Son’s Room in 2001) Nanni Moretti makes another trip to the competition with an ode to cinema (and Martin Scorsese's...

Il sol dell’avvenire (A Brighter Tomorrow) | 2023 Cannes Film Festival Review

If You Don’t Die Today: Moretti Can’t Find the Rhythm in Musical Delusion To say the latest film from Nanni Moretti, Il sol dell'avvenire (A Brighter...

Top 200 Most Anticipated Foreign Films of 2023: #163. Nanni Moretti’s Il Sol Dell’Avvenire

Il Sol Dell’Avvenire Nanni Moretti makes a quicker-than-usual return behind the camera - waiting very little time in-between projects. Following 2021's Three Floors, the veteran...

Ariaferma (The Inner Cage) | 2021 Venice Film Festival Review

Guards and Monsters: Costanzo Finds Humanity in Balanced Ratios Utilizing the novel opportunity of how power wanes in the crumbling of an institution’s viability, Italian...

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Interview: Alejo Moguillansky – Pin de Fartie

Embracing Samuel Beckett's Endgame, Fin de Partie creates a...

Interview: Yorgos Lanthimos – Bugonia

I participated in a virtual roundtable for the film...

2025 Gothams: Studio-Backed ‘One Battle After Another’ Takes on True Indies; Lands Six Noms

In a cinematic landscape increasingly dominated by gargantuan, risk-averse...

Interview: Yorgos Lanthimos & Jerskin Fendrix – Bugonia

There is a chaotic violence at the core of...