Tag: Singaporean Cinema

We Are All Strangers | 2026 Berlin Intl. Film Festival Review

Strategy of Tragedy: Chen Overdoses on Drama in Sprawling Family Portrait The most succinct aspect of Singaporean filmmaker Anthony Chen’s latest feature, We Are All...

Stranger Eyes | Review

The Interest of Distance: Yeo Discovers the Masochistic Pleasures of a Surveillance State “Strange feeling that someone is looking at me. I am clear, then...

Top 100 Most Anticipated Foreign Films of 2022: #67. Siew Hua Yeo’s The Once and Future

The Once and Future If it weren't for a small blurb last October, we'd still not be in the know about Siew Hua Yeo's fourth...

Interview: Anthony Chen & Yann Yann Yeo – Wet Season

Hot news from PYIFF, Singapore’s Wet Season takes home a whopping three awards, including the Cinephilia Critics’ Award, and two Fei Mu Awards for...

Video: Sandi Tan’s Shirkers | 2018 Sundance Film Festival

Sandi Tan's first (or second pending how categorize them) feature film is truly a masterclass in reappraising and reappropriating your own creative work arch....

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2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...