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Servants | Review
February 21, 2022A Separate Peace: Ostrochovský Crafts a Church Noir for Sophomore Feature For his sophomore narrative feature,...
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Strawberry Mansion | Review
February 18, 2022In Dreams: Audley & Birney Conjure a Candy Colored Clown They Call the Tax Man A...
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Mr. Bachmann and His Class | Review
February 18, 2022Teacher Feature: Speth Captures the Complex Alchemy of Education and Empathy in Moving Documentary What do...
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Happiness (Baqyt) | 2022 Berlin International Film Festival Review
February 16, 2022Let the Sunshine In: Uzabayev Drags Us Through the Wretched Realities of Violence Against Women The...
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À propos de Joan (About Joan) | 2022 Berlin International Film Festival Review
February 15, 2022Ladies They Talk About: Larivière Utilizes Huppert in Shaky Melodrama on Loss & Love For his...
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Taste | Review
February 15, 2022In the Realm of the Senses: Le Bao Explores Oblique Pleasures in Handsome Debut Vietnamese filmmaker...
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A Piece of Sky (Drii Winter) | 2022 Berlin International Film Festival Review
February 14, 2022Poor Cow: Koch Devises Solemn Melodrama of a Tortured Romance Delivering a steady handed narrative as...
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AEIOU – A Quick Alphabet of Love | 2022 Berlin International Film Festival Review
February 14, 2022The Consonants of Love: Krebitz Gets Caught in an Odd Romance “It all begins with A,”...
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La ligne | Review
February 12, 2022Fists Out of Pocket: Meier Mines Superficial Dysfunction with Uneven Comic Melodrama Although she’s been working...
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Incredible But True | 2022 Berlin International Film Festival Review
February 11, 2022Beauty Secrets: Dupieux Latest a Strangely Tragic Fable on Human Foibles The films of Quentin Dupieux,...