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American New Wave 25: Laura Fox

Posted by Eric Lavallee on Jul 19, 2010
Source: IONCINEMA.com Feature

Whether it's the depleted Americana represented in the chesterfield brown bungalow that the title character from Hesher decides to make his temporary shelter, or the knowledge of what makes for a cubicle layout of an office space easily filmable in (500) Days of Summer, it takes an architecturally sound understanding, a strong know how for the aesthetic described on the pages of a script to make Joseph Gordon-Levitt's character's dwellings into life size representations of the world he inhibits. Production Designer Laura Fox has now made a place for herself in what I could call the medium to high-end budgeted sized indie projects.

Fox's most recent work will be seen via television's Lonestar this fall, and in Dustin Lance Black's What's Wrong with Virginia due out sometime this festival season. When not working on film sets, Fox impressive resume includes some gnarly work on commercials and music videos - most recently being nominated for Best Art Direction in a Video MTV Music Video Awards for this video. Under her direction, we find frequent collaborators in Set Decorator Jennifer Lukehart and Art Directior Charles Varga. So the next time you notice romance flourishing between the aisles in film land, tell yourself it took someone to add physical barriers to the emotional ones.

 



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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