Red Lights
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“Recalling films like the 1935 Claude Rains’ starrer, The Clairvoyant or the underrated Séance On A Wet Afternoon, (and, strangely, maybe even a bit of De Palma’s The Fury, if only a Bernard Herrmann score could have accompanied the film), Cortes gives us an excessive amount of window dressing in its first half, only to pull the rug on us with one indefatigably head scratching conclusion. And this is what will either determine your reading of the film as convoluted or harebrained brilliant.”
