Search results for: Mohammad Rasoulof
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2024 Cannes Critics’ Panel: Rasoulof’s The Seed of the Sacred Fig Tops Our Grid
And finally, it came down to the wire for not one, but two films that disrupted what had been the top-ranked film among our...
2024 Cannes Film Festival: Hazanavicius’ “The Most Precious of Cargoes” & Rasoulof’s “The Seed of the Sacred Fig” in Comp
Are we capping off the Palme d'Or competition at twenty-one? This might be the case as we learned this morning (looks like Variety has...
TIFF 2013’s CWC Includes Latest from Spielmann, Eimbcke, Rasoulof, Seidl & Corneliu Porumboiu
Final batch of TIFF titles were announced today and among the international hodgepodge of items trickling we find Berlin (Golden Bear winner Child's Pose),...
2013’s Un Certain Regard Includes Plenty of Vets (Claire Denis, Rithy Panh, Rasoulof, Guiraudie, Abu-Assad) & Newbies too (Coogler)
2013's Un Certain Regard section carries a whopping five first time feature filmmakers that'll be measuring themselves up against auteur cinema heavyweights. While we...
Cannes 2011: New Films by Iranian Filmmakers Panahi and Rasoulof Find Freedom in Official Selection
Just now Cannes has added two more - one film each to Un Certain Regard and Out of Competition sections - by "imprisoned" (thankfully symbolically speaking) Iranian filmmakers Mohammad Rasoulof and Jafar Panahi. The oppressed nature in which these films were made can be detected right from their titles: Panahi's film is titled This is Not a Film (In Film Nist), while Rasoulof's has the cryptic title Goodbye (Be Omid-e Didar), though I'm told this could also translate to the more hopeful "See You Soon."
