Carlos Aguilar

19 POSTS
Originally from Mexico City, Carlos Aguilar is a Los Angeles based filmmaker/film journalist who has covered AFI Fest, COLCOA, and the Los Angeles International Film Festival. Top Films From Contemporary Film Auteurs: Almodóvar (Talk To Her), Coen Bros. (Blood Simple), Dardenne Bros. (Rosetta), Haneke (The White Ribbon), Hsiao-Hsien (Three Times), Kar-wai (In the Mood for Love), Kiarostami (Close-up), Lynch (Blue Velvet), Tarantino (Kill Bill vol.1), Van Sant (Elephant), von Trier (Dogville)

Exclusive articles:

On the Job | Review

Part Time Inmates: Generic Baddies Work Manila’s Streets At this point in the history of cinema crime dramas have become a commodity for mere financial...

Wadjda | Review

The Kid Without A Bike: Charming Ride Through Gender Politics in the Middle East Even before the film appears on the screen there is a...

Red Obsession | Review

Economics by the Glass: French Elixir Battles China’s Thirst on Unfair Ground Part informative introduction to the exclusive world of fine wine and part horror...

Populaire | Review

Typist in Love: Roinsard’s Vivid Homage to 50’s Romance is Bearably Predictable Infusing the unexplored world of competitive typewriting with classic romanticism, Regis Roinsard debut...

Sparrows Dance | Review

Reclusive Romantics: Buschel’s Contained Character Study Shines Beyond The Walls Location, location, location, that is essentially the most powerful cinematic tool in Noah Buschel’s latest...

Breaking

One Minute to Midnight (Un peu avant minuit) | 2026 Venice Film Festival Review

The Man Who Snubbed Women: Pariser Performs a Patriarchal...

NAZA | 2026 Venice Film Festival Review

Destroy Everything You Touch: Abraham & Szor Explore the...

The Fire Within You (Il fuoco che ti porti dentro) | 2026 Venice Film Festival Review

The Shrill Seekers: De Angelis Turns to Comedic Caricature For...

A Good Little Soldier (Un bon petit soldat) | 2026 Venice Film Festival Review

A HR Manager Never Cries: Brize Takes on Executive...
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