Eric Lavallée

9308 POSTS
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Zhang Yimou’s Latest Coming in Two Parts

It appears that after a stretch of films (Hero, House of Flying Daggers and Curse of the Golden Flower) that reached outwards, towards international audiences, Zhang Yimou might be looking a little “inwards”.

It’s ‘Payback’ Time for NFB and Jennifer Baichwal

On the eve of her Hot Docs Film Festival world premiere of Act of God, the National Film Board has announced the all-Canadian documentary film project which would see doc filmmaker Jennifer Baichwal adapt author Margaret Atwood's timely piece on the current economic meltdown.

Cristi Puiu Gets Behind and In Front of ‘Aurora’

After wowing international critics and bringing much needed attention to the wave of important films that would come from Romania with his rather bleak, compassionless portrait called of The Death of Mr. Lăzărescu, Cristi Puiu is finally set to get both behind and in front of the camera with the second instalment in his "Six Stories from the Outskirts of Bucharest" series.

Sundance Institute’s 2009 June Directors and Screenwriters Labs

Summer is a time for picnics, days at the beach, and Sundance's Director's and Screenwriter's Labs. Out of the eight announced projects attending the Director's lab, seven of them were part of the Screenwriter's lab back in January. The new name added to the lab process is a project from artist/filmmaker Tala Hadid and The Narrow Frame of Midnight

First Independent Pictures a ‘Big Fan’ of Robert Siegel’s Debut

An accurate, sometimes unnerving portrait of fanaticism, I think many of the Sundance critic confreres that I discussed screenwriter Robert Siegel's directorial debut with, were as equally pleasantly surprised by the quality of the picture. What was often referenced was the film's tone - there is a point in Big Fan where one feels that it will go into Taxi Driver-esque territory

Breaking

Digger | Review

Interview: Arthur Harari – The Unknown

Three features in, Arthur Harari might be one of...

Primetime | Review

The Catcher in the Sty: Oppenheim Skewers Hack Journalist It’s...

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...
spot_imgspot_img