Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

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A Star is Born for the Weinsteins

The Weinsteins might have found gold in Garland. Perhaps banking on the fact that a screenwriter will be able to do to Gerald Clarke's "Get Happy: the Life of Judy Garland" for what was done to Clarke's take on Capote, The Weinstein Co. have optioned the book which digs into the personal life of the starlet who died at the very young age of 47.

Aaron Sorkin Certainly Ready for ‘Challenge’

Apart from his Facebook project, for the better part of the last two decades, Aaron Sorkin has been a political screenplay scribe for hire. Looks like he''ll be adapting the Smoke House (Heslov and Clooney) project based on Jonathan Mahler's book "The Challenge: Hamdan v. Rumsfeld and the Fight Over Presidential Power".

Roadside Attractions Now in Vogue

I think that curiosity and the quality of R.J. Cutler's documentary is what pushed Roadside Attractions to grab a rare doc title for their upcoming slate. If they are smart, they'll coincide the theatrical release with the release of the magazine's popular fall issue.

Escapist Escapes Thinkfilm deal, joins IFC Family

Sundance deals are still being drafted, negotiated and signed a little over a week past the wrap up date, but in the case of Rupert Wyatt's The Escapist -- Sundance is a very distant memory.

Lionsgate, Oprah and Tyler Perry ‘Push’ to get Sundance Winner

Despite winning both of the festival's jury and public prizes, Push: Based on the Novel by Sapphire will need all the support it can muster -- it is the type of drama that increasingly becomes unbearable (not the quality of the film, but the plight of the protagonist). Today's good news is that this year's Sundance success story equivalent to Little Miss Sunshine wasn't a feel good film and didn't break the 8 figure deal bank, but when you have the stamp of approval from Oprah – I guess you've just facilitated your word of mouth campaign and secured a bright future ahead.

Breaking

Her Private Hell | Review

What Have They Done to Your Daughters?: Refn Returns...

Sheep in the Box | Review

I’m a Cyborg, But That’s OK: Koreeda Explores Cruise...

A Sad and Beautiful World | Review

No Man is an Island: Aris Explores Childhood, Couplehood...

Rosebush Pruning | Review

The Killing of a Sacred Dogtooth: Ainouz Paints with...
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