Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Top 100 Most Anticipated Foreign Films of 2022: #22. François Ozon’s Peter Von Kant

Peter Von Kant Having recently crossed off the name of Sophie Marceau on his working with great French actresses bingo card with his last film...

Top 100 Most Anticipated Foreign Films of 2022: #23. Alain Guiraudie’s Viens je t’emmène

Viens je t’emmène (Nobody's Hero) Another project we thought had an outside chance at premiering in 2021 (and might have been passed on due to...

Top 100 Most Anticipated Foreign Films of 2022: #24. Robin Campillo’s Vazaha (fka Les Blancs)

École de l’air We thought there might be an outside chance that this might shore up in 2021 - but we were dead wrong as...

Top 100 Most Anticipated Foreign Films of 2022: #25. Bertrand Bonello’s La bête

La bête As we explored earlier on our countdown, Bertrand Bonello segued to micro-budget Coma while awaiting the greenlight for his ambitious triple era pronged...

Top 100 Most Anticipated Foreign Films of 2022: #26. Lila Avilés’ Totem

Totem As highlighted in our countdown there are many reasons to be excited for the new year in Mexican and new auteur cinema when we...

Breaking

Digger | Review

Interview: Arthur Harari – The Unknown

Three features in, Arthur Harari might be one of...

Primetime | Review

The Catcher in the Sty: Oppenheim Skewers Hack Journalist It’s...

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...
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