Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2018 Sundance Film Festival Predictions: Drake Doremus’ Zoe

We've now arrived to our 75 prediction destination with this final item. A Sundance personality who over time, has developed his own cult following in...

2018 Sundance Film Festival Predictions: Paul Dano’s Wildlife

Once all the "dust" settled from the Venice and TIFF program announcements, the 2017 film festival calendar hourglass pretty much confirmed that Paul Dano's...

2018 Sundance Film Festival Predictions: Elizabeth Chomko’s What They Had

In a move rarely seen these days, Bleecker Street's Andrew Karpen swooped in, preemptively landed the rights to What They Had before it even had...

2018 Sundance Film Festival Predictions: Benh Zeitlin’s Wendy

We've kept our ears peeled to the ground and eyes glued since non-trade related film news began to trickle in 2013, but for the...

2018 Sundance Film Festival Predictions: Justin Kelly’s Welcome the Stranger

With a breakneck pace output, filmmaker Justin Kelly hasn't wasted much time between features since premiering his debut feature at I Am Michael (review) at...

Breaking

IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Only the Lonely: Ulrich Seidl Travels to Dark Tourism Places with ‘Distances’

The folks art Cineuropa are giving us a major...

History Repeating Itself: Magnus von Horn Train Hops with Jeremy Strong in ‘The Passenger’

Hopefully at some point it'll lose the over-used, generic...
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