Interview: Wim Wenders – Submergence

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Globe-trotting, geopolitics and civil war are the wedges that place romantic connections in flux. No stranger to the human condition or working in a multitude of scapes, Wim Wenders‘ latest the book to film adaptation in the TIFF-preemed Submergence (released this month via the Samuel Goldwyn Films folks) curiously precedes next month’s Cannes premiere of Pope Francis – A Man of His Word. Moving into his fifth decade in filmmaking, Amir got to speak to Wenders who is refreshingly honest and unflinchingly of where his interests lie and is convinced of how to best work with the material at hand. All in a good day’s work and handshake.

 

 

 

 

 

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). In 2022, he was a New Flesh Juror for Best First Feature at the Fantasia International Film Festival. His top films for 2023 include The Zone of Interest (Glazer), Inside the Yellow Cocoon Shell (Pham Thien An), Totem (Lila Avilés), La Chimera (Alice Rohrwacher), All Dirt Roads Taste of Salt (Raven Jackson). He is a Golden Globes Voter.

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