Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2018 Sundance Film Festival Predictions: Jordana Spiro’s Night Comes On

We were pleasantly destabilized by her third, Gummo-esque short film, and as I cited back after the 2013 Sundance edition, Skin (watch here) displayed all...

2018 Sundance Film Festival Predictions: Christina Choe’s Nancy

After building a half dozen short film resume, her feature film debut appears to be the result of a lot of indie blood, sweat...

2018 Sundance Film Festival Predictions: Debra Granik’s My Abandonment

We likened her to Kelly Reichardt with a cinema that should sprout internationally and so we were genuinely surprised when she didn't drop into...

2018 Sundance Film Festival Predictions: Josephine Decker’s Movie No. 1

Part of the new wave of idiosyncratic female auteur voices (Sophia Takal, Sarah Adina Smith, Janicza Bravo, Chloé Zhao and Eliza Hittman come to...

2018 Sundance Film Festival Predictions: Anthony Mandler’s Monster

A heavyweight music video helmer for close to two decades, Anthony Mandler's list of creds reads like Jack Kerouac's Famous 'On the Road' scroll....

Breaking

Primetime | Review

The Catcher in the Sty: Oppenheim Skewers Hack Journalist It’s...

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...

Ha-chan, Shake Your Booty! | Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Alpha Gang | 2026 Toronto Intl. Film Festival Review

Close Encounters Of The Biker Gang Kind: The Zellners’...
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