Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Live from Cannes 2017: Introducing Our Cannes Critics’ Panel

With no over three hour Romanian or Turkish film offerings, the 70th edition of Cannes with its nineteen Comp items is a rather lean...

IONCINEMA.com 6.0

Nicholas Bell and I will be in the trenches (to be precise: Day 9 / week 2 ) of Cannes Film Festival when IONCINEMA.com...

IONCINEPHILE of the Month: Logan Sandler’s Top Ten Films of All Time List

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile, we...

IONCINEPHILE of the Month: Logan Sandler (Live Cargo)

IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from the world of cinema. This month we feature American indie helmer Logan...

Escape Planned: Bart Layton’s “American Animals” Arrests Blake Jenner, Barry Keoghan & Jared Abrahamson

One of the most anticipated projects from the Sundance film labs is getting into gear for an immient shoot and Variety reports that Blake...

Breaking

Primetime | Review

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...

Ha-chan, Shake Your Booty! | Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Alpha Gang | 2026 Toronto Intl. Film Festival Review

Close Encounters Of The Biker Gang Kind: The Zellners’...

Magazine | 2026 Toronto Intl. Film Festival Review

Not Worth The Subscription: Pechman’s Debut Flips Through The...
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