Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

I, Daniel Blake | Review

Brexit of Champions: Loach’s Unadorned Blue Collar Melodrama Rages against the Machine As he has been doing since he became an auteur of note...

2016 Sundance Film Fest Video: Nicolas Pesce’s The Eyes Of My Mother

Not only one of the more temptingly tasty items from the NEXT section but the entire 2016 Sundance slate, the B&W, economically compact title...

Sundance ’17: Hittman, Robespierre & Larnell Come Knocking Again in U.S. Dramatic Comp

Last year we had Grand Jury and Audience Award section winner and current awards season no-show The Birth of a Nation by Nate Parker...

Sundance ’17: Kogonada, David Lowery, Janicza Bravo & Dustin Guy Defa Move into NEXT Section

Last year programmers landed Tim Sutton's remarkable hybrid-like fly-on-the-wall third feature film Dark Knight, and a pair of stunning debuts in Nicolas Pesce's hauntingly...

2017 Sundance Film Festival Predictions: Greg Kinnear’s The Philosophy of Phil

From Little Miss Sunshine to the more recent Little Men, Greg Kinnear has been part of the recent tapestry of the festival as an actor,...

Breaking

Primetime | Review

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...

Ha-chan, Shake Your Booty! | Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Alpha Gang | 2026 Toronto Intl. Film Festival Review

Close Encounters Of The Biker Gang Kind: The Zellners’...

Magazine | 2026 Toronto Intl. Film Festival Review

Not Worth The Subscription: Pechman’s Debut Flips Through The...
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