Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2017 Sundance Film Festival Predictions: Liz W. Garcia’s One Percent More Humid

In 2005, Franklin Leonard issued the very first edition of The Blacklist. Things We Lost in the Fire, Juno, Lars and the Real Girl...

2017 Sundance Film Festival Predictions: Jim McKay’s On the Seventh Day

Perhaps the indie film career path anomaly on our complete predictions list, Jim McKay found relative success at Sundance using the festival as a platform...

2017 Sundance Film Festival Predictions: Dee Rees’ Mudbound

The Sundance Institute and festival were the lieu where Pariah (both the short and feature) received critical help and it gave indiewood a new...

2017 Sundance Film Festival Predictions: Tommy O’Haver’s The Most Hated Woman in America

Not a biopic on Hillary Clinton but the title of one outspoken trailblazing personality who took on gawking religious folk, despite some television work Tommy...

2017 Sundance Film Festival Predictions: Tali Shalom-Ezer’s Mercy

The chances of seeing Israeli filmmaker Tali Shalom Ezer's Mercy premiere at Sundance are next to nil and that's not because it wouldn't be...

Breaking

Primetime | Review

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...

Ha-chan, Shake Your Booty! | Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Alpha Gang | 2026 Toronto Intl. Film Festival Review

Close Encounters Of The Biker Gang Kind: The Zellners’...

Magazine | 2026 Toronto Intl. Film Festival Review

Not Worth The Subscription: Pechman’s Debut Flips Through The...
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