Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2017 Sundance Film Festival Predictions: Jessica Manafort’s Rosy

The daughter of former Trump campaign chairman proposes an anti-Stockholm Syndrome with her NYC set, kidnapping thriller Rosy. Lensing began in November of 2015...

2017 Sundance Film Festival Predictions: Mark Palansky’s Rememory

A Canuck filmmaker who found a mentor in Michael Bay in his formative years, Mark Palansky broke out with Christina Ricci fantasy film Penelope...

2017 Sundance Film Festival Predictions: Pacho Velez’s The Reagan Years

We're hoping that the proverbial expression that no news is good news will be the case for a docu that we were projecting for...

2017 Sundance Film Festival Predictions: Brian Crano’s Permission

With 2011's A Bag of Hammers and his 2014's short "Dog Food" both preeming at Austin, you can bet that the SXSW programmers have Brian...

2017 Sundance Film Festival Predictions: Margarita Jimeno’s My Life is a Soundtrack

Jury prize winner at Champs Elysees Film Festival's U.S. in Progress this past summer, Margarita Jimeno’s sophomore feature currently titled My Life is a...

Breaking

Primetime | Review

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...

Ha-chan, Shake Your Booty! | Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Alpha Gang | 2026 Toronto Intl. Film Festival Review

Close Encounters Of The Biker Gang Kind: The Zellners’...

Magazine | 2026 Toronto Intl. Film Festival Review

Not Worth The Subscription: Pechman’s Debut Flips Through The...
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