Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Ruth Wilson Flowing Towards Barnard’s “Dark River”

Known for collecting accolades and her scrappy protags portraits under the new wave of Kitchen Sink realism label, Clio Barnard is moving ahead with...

55th Critics’ Week: France Dominates Selections with Justine Triet’s “In Bed With Victoria” as Opener

As we wait for the Directors' Fortnight to confirm the future Croisette status of Alejandro Jodorowsky if Endless Poetry, Kim Nguyen's Two Lovers and...

Maximum Sentence: McCaul Lombardi & Crew Get Paroled for Porterfield’s “Soller’s Point”

McCaul Lombardi (who'll be on the Croisette in the featured Andrea Arnold's American Honey quartet comprised of Sasha Lane, Shia LaBeouf and Arielle Holmes)...

Man Push Fire Cart: HBO Book Ramin Bahrani for “Fahrenheit 451”

Moving from seizing homes (99 Homes) to burning them down, hopefully American indie filmmaker won't have some of the woes that Francois Truffaut did...

Digital Witness: Annie Clark Added as 4th “XX” Helmer

Going the Peaches route, Annie Clark (St. Vincent) is replacing Mary Harron and joining femme fatale filmmaker quartet (Karyn Kusama, Jennifer Lynch and Jovanka Vuckovic)...

Breaking

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

The Most Precious Of Cargoes | Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in...
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