Exclusive articles:
Returning to Reims (Fragments) | 2021 Cannes Film Festival Review
Blue is the Warmest Collar: Periot’s Projects a Sublime Visualization of Potent Memoir
For his third feature length documentary, Jean-Gabriel Périot tackles the celebrated 2009...
The Employer and the Employee | 2021 Cannes Film Festival Review
Bargaining Basement: Zas Presents a Touch of Caste in Free Market Melodrama
The working class do not go to heaven in Manuel Nieto Zas’ third...
Softie (Petite nature) | 2021 Cannes Film Festival Review
Sharp Shock to Your Soft Side: Theis Mines the Uncomfortable Realities of Sexuality
In the one-hundred-and-twenty-five years since the detrimental trials of Oscar Wilde and...
Tom Medina | 2021 Cannes Film Festival Review
The Man Without a Country: Gatlif Explores the Tribulations of Redemption in Oblique Character Study
French-Algerian director Tony Gatlif remains something of a European anomaly...
The Hill Where the Lionesses Roar | 2021 Cannes Film Festival Review
Hear Them Roar: Bajrami Shouts an Outcry on Female Subjugation
Luàna Bajrami, who appeared as the maid in Celina Sciamma’s Portrait of a Lady on...
