Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Kong: Skull Island | Review

Kong’s Crib: Vogt-Roberts Strains Weak Characters Through Special Effects Pageant In the continuing tradition of flinging fledgling indie directors into studio tent pole franchise reboots,...

The Ottoman Lieutenant | Review

The Turkish Lieutenant’s Woman: Ruben Stumbles on Tedious War Time Romance At one point, director Joseph Ruben was the go-to guy for glossy B-grade...

The Sense of an Ending | Review

Man of Letters: Batra Crafts Low-Key Adaptation with Handsome Ensemble “The wine of youth does not always clear with advancing years; sometimes it grows turbid,”...

Brimstone | Review

The Love of a Preacher Man: Koolhoven’s Pseudo-Feminist Western an Ambitiously Grotesque Affront Unveiling the most expensive Dutch film production since Paul Verhoeven’s Black Book...

Police (1985) | Blu-ray Review

In the fall of 2016, Cohen Media Group staged a phenomenal retrospective of five masterpieces by Maurice Pialat, including his 1987 Palme d’Or winning...

Breaking

2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...
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