Exclusive articles:
Sun Don’t Shine | Review (AFI Film Fest)
Madlands: Seimetz’ Relationship Drama Takes Us on a Road Trip to Love Hell
Managing to balance an insanely busy schedule that boasts quality and quantity,...
Kuma | Review
Two’s Company: Dag’s Extraordinary Debut Perversely Compelling
Like Feo Aladag’s 2010 harrowing debut, When We Leave, Austrian-Kurdish director Umat Dag’s first film, Kuma, examines the...
Feed Me With Your Words | Review
Holy Strokes!: Turk’s Debut Loses Its Appetite
Born out of a collaboration with the Torino Film Lab comes Martin Turk’s feature directorial debut, Feed Me...
Mushrooming | Review
Scandal Sheet: An Odd, Disjointed Look at Estonia’s Political Climate
Estonian director Toomas Hussar makes his screen debut with Mushrooming, a sort of political satire,...
Folman’s The Congress Opens Directors’ Fortnight
Yesterday's glaring omission from the Cannes lineup will be the opening film for the Directors’ Fortnight. Edouard Waintrop has nabbed Ari Folman’s The Congress,...
