Exclusive articles:
Ordinary Failures | 2022 Venice Film Festival Review
It’s Only the End of the World: Groșan Navigates a Triptych of Displaced Women in Pre-Apocalyptic Intersection
What’s perhaps most fitting about the commonalities between...
L’immensità | 2022 Venice Film Festival Review
This Boy’s Life: Crialese Cuts Corners in Well-Meant Trans Coming-of-Age Drama
Director Emanuele Crialese explores the slow disintegration of a dysfunctional family in 1970s Rome...
Blue Jean | 2022 Venice Film Festival Review
Personal Best: Oakley Exhumes the Terror and Trauma of Life in the Shadow of the Iron Lady
For her directorial debut, Blue Jean, Georgia Oakley...
Casa Susanna | 2022 Venice Film Festival Review
The Enchanted Cottage: Lifshitz Salvages a Segment of Transgender History
Although he began his directorial career in the vein of free-spirited indie narratives navigating the...
A Man (Aru Otoko) | 2022 Venice Film Festival Review
The Good Thief: Ishikawa Explores the Tenuous Reality of Identity
As its elemental title suggests, Kei Ishikawa’s fourth film, A Man, asserts we can only...
