Exclusive articles:
I Love My Dad | Review
Sons & Lovers: Morosini Aims for Awkward in Dysfunctional Familial Dilemma
Overbearing and stifling parents have long been a staple of semi-autobiographical storytelling, but director...
The Sea Ahead | Review
The Princess of Tides: Dagher Can’t Go Home Again in Broody Beirut
For his directorial debut, The Sea Ahead, Ely Dagher expands on the themes...
Resurrection | Review
The Killing Kindness: Semans Explores Love as a Deadly Splendored Thing in Exceptional Psychodrama
“You’re Nobody till Somebody Loves You,” a popular 1940s tune made...
Criterion Collection: ‘Round Midnight (1986) | Blu-ray Review
George Gershwin surmised “Life is a lot like jazz, it’s best when you improvise.” In keeping with the spirit of this given, Bertrand Tavernier’s...
Nope | Review
Goodbye, Horses: Peele Elevates Creature Feature in Nostalgia Tinged Horror
Jordan Peele continues his distinctive mixture of mainstream aesthetics and unconventional tangential elements with his...
