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2018 Cannes Critics’ Panel: Day 7 – Spike Lee’s BlacKkKlansman
May 14, 2018With only Do the Right Thing (1989) and Jungle Fever (1991) as competition entries, it’s been...
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2018 Cannes Critics’ Panel: Day 7 – Ryūsuke Hamaguchi’s Asako I & II
May 14, 2018With his fifth feature in 2015’s Happy Hours making a notable presence at and winning Locarno,...
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2018 Cannes Critics’ Panel: Day 7 – Hirokazu Kore-eda’s Shoplifters
May 14, 2018Hirokazu Kore-eda‘s sixth trip to Cannes comes after Our Little Sister in 2015, and the one before...
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2018 Cannes Critics’ Panel: Day 6 – Alice Rohrwacher’s Happy as Lazzaro (Lazzaro Felice)
May 13, 2018Winner of the 2nd highest prize offered at the Cannes Film Festival with her sophomore film...
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2018 Cannes Critics’ Panel: Day 6 – Jafar Panahi’s Three Faces
May 13, 2018Winner for the Camera d’Or in 1995 (Directors’ Fortnight) for The White Balloon, winner of the...
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2018 Cannes Critics’ Panel: Day 6 – Eva Husson’s Girls of the Sun (Les filles du soleil)
May 13, 2018Eva Husson tackles some heady subject matter with her third feature, and first Cannes entry. After...
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2018 Cannes Critics’ Panel: Day 5 – Jia Zhangke’s Ash Is Purest White
May 12, 2018An habitual of both Cannes and Venice, now in his third decade of filmmaking, Jia Zhangke first...
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2018 Cannes Critics’ Panel: Day 5 – Jean-Luc Godard’s The Image Book (Le livre d’images)
May 12, 2018Walking up and down the Croisette we are reminded of his presence at the festival with...
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2018 Cannes Critics’ Panel: Day 4 – Pawel Pawlikowski’s Cold War
May 11, 2018Hailing from a docu background, Pawel Pawlikowski‘s sixth feature film in a little more than two...
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2018 Cannes Critics’ Panel: Day 3 – Christophe Honoré’s Sorry Angel (Plaire, aimer et courir vite)
May 11, 2018Only his second time in the competition (he was there in 2007 with Les chansons d’amour),...