-
The Palace | 2023 Venice Film Festival Review
September 5, 2023It’s Only the End of the World: Polanski Checks Out with Broad Satire As many are...
-
Evil Does Not Exist | Review
September 4, 2023The Killing of a Sacred Dear: Hamaguchi Explores Ills of Urbanization Ryūsuke Hamaguchi explores the doctrine...
-
Making Of | 2023 Venice Film Festival Review
September 4, 2023The Working Class Goes to the Back Lot: Kahn Prosaically Processes a Director’s Strife What should...
-
Love Is a Gun | 2023 Venice Film Festival Review
September 4, 2023Lucky Number Seven: The Grabbing Hands Grab All They Can in Lee Hong-Chi’s Debut Working as...
-
Vampire humaniste cherche suicidaire consentant | 2023 Venice Film Festival Review
September 3, 2023Sentimental Succubus: Louis-Seize Finds Love is All Consuming in Vampire Rom-Com “Love means never having to...
-
Vermines | 2023 Venice Film Festival Review
September 3, 2023The Spider’s Stratagem: Vanicek Weaves Familiar Web with Debut Creature Feature Creature features have an odd...
-
Le Vourdalak | 2023 Venice Film Festival Review
September 3, 2023Love in the Blood: Beau Resurrects Russian Vampire Clan in Eccentric Genre Throwback Chuck Palahniuk wrote...
-
The Universal Theory (Die Theorie Von Allem) | 2023 Venice Film Festival Review
September 3, 2023Multiverse of Sadness: Kroger Captivates with Cryptic Cold War Sci-Fi Exploit Although it will invariably be...
-
Adagio | 2023 Venice Film Festival Review
September 2, 2023Rome, Smoking City: Sollima Languorous Thriller Tiresomely Tests Narrative Cliches The most apropos element of Stefano...
-
Sobre todo la noche (Foremost the Night) | 2023 Venice Film Festival Review
September 2, 2023Other Mothers: Iriarte’s Debut a Murky Mix of Neo Noir and Melodrama For his film debut...