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Kidnapped (Rapito) | 2023 Cannes Film Festival Review
May 24, 2023A Soul to Take: Bellocchio Deliriously Dissects a Papal Delictum Marco Bellocchio has lost none of...
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The Buriti Flower (Crowrã) | 2023 Cannes Film Festival Review
May 23, 2023Rites of Resistance: Messora & Salaviza Provide Historical Ellipses of the Krahô Researching a community without...
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Power Alley (Levante) | 2023 Cannes Film Festival Review
May 23, 2023That Time of the Month: Halla Offers Ringside Seats to the Courts – Both On and...
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Firebrand | 2023 Cannes Film Festival Review
May 22, 2023One Survived: Ainouz Attempts to Give a Queen Her Due The Tudor era has maintained public...
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Banel & Adama | 2023 Cannes Film Festival Review
May 22, 2023A Place in the Sun: Sy’s Fascinating Debut on Ruinous Social Obligations It takes a village…to...
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Blackbird Blackbird Blackberry | 2023 Cannes Film Festival Review
May 21, 2023The End of the Affair: Naveriani Finds Love in a Hopeless Place Georgian filmmaker Elene Naveriani...
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The (Ex)perience of Love | 2023 Cannes Film Festival Review
May 20, 2023Let’s Talk About Ex Baby: Balboni/Sirot Need A Lot More Lube for Rom Com Containing enough...
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Il pleut dans la maison (It’s Raining in the House) | 2023 Cannes Film Festival Review
May 19, 2023Baby the Rain Must Fall: Life Imitates Art in Serman-Daï’s Narrative Debut There’s a literalness in It’s...
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Les meutes (Hounds) | 2023 Cannes Film Festival Review
May 19, 2023Wash Away Your Sins: The Apple Falls a Bit Further Out From the Tree in Lazraq’s...
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Simple comme Sylvain | 2023 Cannes Film Festival Review
May 18, 2023Heart in the Right Place: Chokri Lets the Body & the Camera Do the Talking in...