2022 Sundance Film Festival: Ricky D’Ambrose, Sierra Pettengill & Justin Benson/Aaron Moorhead Load Up NEXT Section

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We’ve been fans of this section since its launch back in 2010 when it used to identified with the ticker symbol of <=>, and now a dozen years later we’re curious to see what the next James White, The Killing of Two Lovers, Madeline’s Madeline and A Ghost Story. Among the lucky seven we find Ricky D’Ambrose bringing his Venice preemed The Cathedral, Sierra Pettengill’s latest docu offering (RIOTSVILLE, USA) and Justin Benson/Aaron Moorhead break into Park City with their latest Something In The Dirt.

The Cathedral / Italy, U.S.A.
(Director and Screenwriter: Ricky D’Ambrose, Producer: Graham Swon) — An only child’s account of an American family’s rise and fall over two decades. Cast: Brian d’Arcy James, Monica Barbaro, Mark Zeisler, Geraldine Singer, William Bednar-Carter. North American Premiere. Fiction.

Every Day In Kaimukī / U.S.A.
(Director: Alika Tengan, Screenwriters: Naz Kawakami, Alika Tengan. Producers: Jesy Odio, Chapin Hall, Alika Tengan, Naz Kawakami) — A young man is determined to give his life meaning outside of Kaimukī, the small Hawaiian town where he grew up, even if it means leaving everything he’s ever known and loved behind. Cast: Naz Kawakami, Rina White, Holden Mandrial-Santos. World Premiere. Fiction.

Framing Agnes / Canada, U.S.A.
(Director: Chase Joynt, Producers: Samantha Curley, Shant Joshi, Chase Joynt) — After discovering case files from a 1950s gender clinic, a cast of transgender actors turn a talk show inside out to confront the legacy of a young trans woman forced to choose between honesty and access. World Premiere. Documentary.

A Love Song / U.S.A.
(Director and Screenwriter: Max Walker-Silverman, Producers: Dan Janvey, Jesse Hope, Max Walker-Silverman) — Two childhood sweethearts, now both widowed, share a night by a lake in the mountains. A love story for those who are alone. Cast: Dale Dickey, Wes Studi, Michelle Wilson, Benja K. Thomas, John Way, Marty Grace Dennis. World Premiere. Fiction. DAY ONE

Mija / U.S.A.
(Director: Isabel Castro, Producers: Tabs Breese, Isabel Castro, Yesenia Tlahuel) — Doris Muñoz is a young, ambitious music manager whose undocumented family depends on her ability to launch pop stars. When she loses her biggest client, Doris hustles to discover new talent and finds Jacks, another daughter of immigrants for whom “making it” isn’t just a dream: it’s a necessity. World Premiere. Documentary.

RIOTSVILLE, USA / U.S.A.
(Director: Sierra Pettengill, Producers: Sara Archambault, Jamila Wignot) — Welcome to Riotsville, a fictional town built by the U.S. military. Using footage shot by the media and government, the film explores the militarization of the police and the reaction of a nation to the uprisings of the late ’60s, creating a counter-narrative to a critical moment in American history. World Premiere. Documentary.

Something In The Dirt / U.S.A.
(Directors: Justin Benson, Aaron Moorhead, Screenwriter: Justin Benson, Producers: David Lawson, Aaron Moorhead, Justin Benson) — When neighbors John and Levi witness supernatural events in their Los Angeles apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives. An ever-deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city, and each other. Cast: Justin Benson, Aaron Moorhead. World Premiere. Fiction.

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

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