Tag: Aaron Moorhead
2022 Sundance Film Festival: Ricky D’Ambrose, Sierra Pettengill & Justin Benson/Aaron Moorhead Load Up NEXT Section
We've been fans of this section since its launch back in 2010 when it used to identified with the ticker symbol of <=>, and...
Synchronic [Video Review]
E.M.Time Machine: Benson & Moorhead Do the Time Warp Again
Designer drugs prove to be a mystical gateway to the past in Synchronic, the fourth...
She Dies Tomorrow | Review
Bet Your Bottom Dollar: Seimetz Circles Existential Dread in Lowkey Genre
“Your deepest fear is spreading,” reads the tagline for Amy Seimetz’s sophomore directorial effort,...
The Conversation: Time for TIFF 2019 – Predictions!
The Toronto International Film Festival is set to unspool its latest monolithic program. A major cue to set Oscar season into motion, the line-up...
Top 50 Most Anticipated American Indie Films of 2019: A Prelude
At the beginning of the year, we gave our readers an overview of the most anticipated foreign films for the new year (Top 150...
The Endless | Tribeca Film Festival Review
Circles in the Sand: Benson & Moorhead Latest Low-Fi Genre Hybrid another Mixed Bag
For a film as fascinated with notions of differentiation as The...
V/H/S: Viral | Review
Headcleaner: VHS Series Gets Third Installment Blues
Perhaps after this third installment this franchise can enter the same void for the format which it’s named,...
2014 TIFF: Fabrice Du Welz’s Alleluia & Peter Strickland’s The Duke of Burgundy Top Vanguard Programme
While a certain "freshness" might be lacking in the Midnight Madness programme, the Vanguard section (and Wavelengths to be unveiled next month) is where...
