Vaguely familiar in its form, it was a definite case of deja vu as I’ve assisted at both world premiere screenings for the 2014 original (which preemed at Cannes – see video) and the remake. The former version via Nadav Lapid had an immensely satisfying politicized subtext, while the later in Sara Colangelo‘s version of The Kindergarten Teacher, we have a layered characterization of a women (brilliantly invested perf from actress Maggie Gyllenhaal) that arrives distilled, and sprouts into some psychologically advanced terrain. We knew Colangelo had a confident skilled hand, but this sophomore film is a drastic improvement on her imperfect Little Accidents. Here was the world premiere post-screening Q&A.