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TIFF 2009 Interview: Jesper Ganslandt (The Ape)

After having been to the public screening (see video here), later in the festival, I would have a long sit down with the director behind The Ape (Apan). What I thoroughly enjoyed about the film, is how it never once cares about supplying backstory, it makes the case that this is utterly unimportant. Jesper Ganslandt is clear about what interests him, the approach he wanted to use in terms of the style of the film and how he was going to get the performance he wanted from actor Olle Sarri – who signed on without nothing anything about the storyline.

After having been to the public screening (see video here), later in the festival, I would have a long sit down with the director behind The Ape (Apan). What I thoroughly enjoyed about the film, is how it never once cares about supplying backstory, it makes the case that this is utterly unimportant. Jesper Ganslandt is clear about what interests him, the approach he wanted to use in terms of the style of the film and how he was going to get the performance he wanted from actor Olle Sarri – who signed on without nothing anything about the storyline.

Not knowing Ganslandt’s background, I first wanted to establish his style in terms of the other films in his filmography, and I was curious to know about his influences and what he thought about being a part of a new breed of Swedish filmmakers who are indeed pushing the limits. I also discuss certain scenes, but keep those question brief as I didn’t want to explore narrative elements as it would give away what I think viewers need to not know before going in. This is edgy material from a filmmaker I’ll definitely be watching out for in the future.

 

 

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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