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Come to Daddy | Review

Father of Mine: Timpson Paints Pastiche with Peculiar Debut While he assembles all the requisite elements for what promises to be a throwback to the...

Through the Looking Glass: The Top 100 Most Anticipated Foreign Films of 2020 – Picks #100 to #11

While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...

Happy New Year, Colin Burstead | 2018 Intl. Film Festival & Awards Macao Review

New Year’s Evil: Wheatley Finds Humanity Amid Caustic Bickering Shapeshifting his way along a varied filmography, Ben Wheatley is back after the tongue-in-cheek gunplay bonanza...

Let the Corpses Tan! | Review

All that Glitters: Cattet & Forzani Cut Stylish Swath Through Arid Neo-Western For their third film, Let the Corpses Tan!, another heavily styled recalibration of...

Through the Looking Glass – The Top 50 Foreign Films of 2019: Picks #50 to #11

As we look forward to a plentiful year of new cinematic offerings in 2018, it’s also time to look even further into the horizon...

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Exclusive Trailer: The American Dream is Pure Fantasy in Nellie Kluz’s ‘The Dells’

Selected for showcases at the 2024 Visions du Réel,...

2025 Cannes: Directors’ Fortnight Section Say Oui to Nadav Lapid’s ‘Yes’

Israeli filmmaker Nadav Lapid was tipped as a last...

Puissant Paris: Huppert, Efira, Cassel, Niney & Adam Bessa Topline Asghar Farhadi’s ‘Parallel Tales’

Megawatt quintet Isabelle Huppert, Virginie Efira, Vincent Cassel, Pierre...

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