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Youth (Homecoming) | Review

Last Train to Zhili: Bing Brings Youth Cycle to Circular Close Wang Bing completes his ‘Youth’ trilogy with finale Youth (Homecoming), which features the most...

Youth (Hard Times) | Review

Make the Best of Us: Bing’s ‘Youth’ Cycle Expands Into the Gloom The middle part of Wang Bing’s Youth trilogy, Youth (Hard Times) perhaps more...

2025 Cannes Critics’ Panel – Laxe, Mendonça Filho, Panahi & Trier Reign Supreme

The final grades trickled in and finally, our top three has slightly changed. Instead of a firm trio, we now have a foursome as...

The Mastermind | 2025 Cannes Film Festival Review

Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker Abstract paintings are not the only undefined objects in The Mastermind, the latest from Kelly Reichardt,...

2025 Cannes Film Festival: Jafar Panahi’s ‘It Was Just an Accident’ Wins the Palme d’Or

He won Venice. He won the Berlinale. He now wins the Palme. With strong competition from the likes of Kleber Mendonça Filho, Oliver Laxe...

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Interview: Ariane Labed – September Says

A pivotal figure in the Greek Weird Wave, Ariane...

Interview: Jessica Palud – Being Maria

In 2018, political journalist and writer Vanessa Schneider released...

Interview: Sarah Friedland & Kathleen Chalfant – Familiar Touch

A work-in-progress participant at the 2023 American Film Festival...

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