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Demange Control: ’71 Leads 2014 British Independent Film Awards Noms

The edge-of-your seat thriller that was all the talk at this year's Berlin Film Festival (that momentum was carried over into Telluride and TIFF...

Lilting | Review

Common Grounds: Khaou Strikes Graceful, Observant Notes in Debut A moving, and sharply wrought screenplay supported by several elegant performances marks Cambodian born director Hong...

Double Beats for Whiplash; Chazelle’s Sophomore Film Claims Grand Jury & Award Top Prizes at Sundance 2014

Damien Chazelle's Whiplash was Day 1 feel good buzz title of the fest that ultimately served as a measuring stick for the other competing...

Caught In the Web | Review

Once Upon a Time, in the Digital Age…: Chen’s Latest a Message Heavy Oddity A critique of the hounding one sidedness of the omnipresent media...

Sundance 2014: Stuart Murdoch’s God Help the Girl & Hong Khaou’s Lilting Top Dozen World Dramatic Comp Items

It's among the two sections that we usually don't put much focus on (yes, we love subtitles, but we're more concerned, naturally more inclined...

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No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

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