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Sinister 2 | Review

The Reusable Bughuul: Foy Marks a Franchise for Death The only thing effectively murdered in the utterly unnecessary and awkwardly bungled sequel to Scott Derrickson’s...

The People Under the Stairs | Blu-ray Review

Throughout a very prolific and sometimes uneven career as an incredibly notable genre filmmaker, Wes Craven’s aesthetic often grapples with issues of revenge and...

Grace of Monaco | 2014 Cannes Review

Coup de Grace: Embellishment Can’t Save Dahan’s Fairy Tale Try as it might, Grace of Monaco can’t seem to wring any significant interest out of...

2014 Cannes Film Festival Predictions: Main Competition, Un Certain Regard & Special Screenings

With only hours ago before the official selection for the Main Competition is announced, we've narrowed our final predictions to the following titles that...

Lotus Eaters | Review

Let What is Broken So Remain: McGuiness’ Debut Familiar, Mesmerizing “Ah, why should life all labor be?” asks Lord Alfred Tennyson in a line from...

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Interview: Nathalia Acevedo – Salón de belleza

Actress-turned-filmmaker Nathalia Acevedo made her feature directorial debut with...

Fjord | Review

Uncanny Valley: Mungiu Explores Liberated Prisons Totalitarian mentality is driven...

Interview: Jacqueline Lentzou – A Day in the Life of Jo: Chapter Phaedra

A poem. A song. An argument. An apology. Inspired...

Interview: Andrea Pallaoro – The Echo Chamber

With his fourth feature film, Andrea Pallaoro turns his...

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